Where your hand
lands.
A closet is judged in the first week by how it looks — and for the next twenty-five years by how it opens. The door front, the drawer glide, the weight of the pull: these are the details we obsess over at the bench, and every one of them is yours to choose.
Choose the face.
Seven ways to close a bay — or not close it at all. Tap a style and the elevation redraws; the price is the same per-leaf figure the Design Room uses, so nothing changes between here and your estimate.
The drawer, opened.
Soft-close as standard thinking · fitted to what it will holdJudge it by weight.
Hardware is the one part of the closet you touch every day, so we don't do hollow. Choose a finish below — the bench redraws — then feel the real thing in the studio or the sample box.
Doors, room-height.
When the closet is part of the architecture, the doors should be too. We build wardrobe and room doors to the full height of the wall — book-matched so the grain flows across the pair, hinged to swing true for twenty-five years, and finished on both faces because you see both faces.
Glass, mirror, mesh and painted panels all carry into door scale; the fronts you chose above don't stop at the cabinet.
Light, rods & the small machinery.
The parts that work while you don't notice themA strip under the top panel, or a line under every shelf edge — CRI 90+, so the navy and the black stay different colors. Drivers hide behind the millwork; the electrician's rough-in is quoted separately, in writing.
Hanging rods sized to the span so they never bow. Valet rods that pull out and disappear. And where the shelving goes tall — a rolling library ladder on a bronze rail, if the ceiling allows it.
Every one of these carries its price in the Design Room — add a valet rod, watch the estimate move $140. No allowances, no "hardware package TBD."
Now put them on your wall.
Fronts, drawers, hardware, light — every detail on this page is a live choice in the Design Room, priced as you click. Or skip ahead and talk to the people who build them.